It can get rid of long extra 3D rendering times. The key aspect during the development of these filters was to match the real thing as closely as possible. Visual effects toolbox with unmatched features and performance. FxFactory Pro effects are accelerated using the graphics card for unbeatable previewing and rendering performance.
FxFactory Pro plug-ins ship with many built-in presets, a time-saving feature to try new looks with minimal effort. Save your own presets to disc and re-create the same look later. Create stunning slideshows. The principle behind Photo Montage is simple: select an animation style and a few of your photos, and let the plug-in do the rest. Rearranging photos or changing the duration of each can be done in seconds, thanks to an intuitive configuration UI.
Ease of use does not imply limited functionality. A full array of effect parameters allows expert users to create unique animations. Create the photo animation style made popular by Ken Burns. Achieve stunning results without a single keyframe. Flickering is a common problem in time-lapse or stop motion footage captured using a digital still camera. Frame by frame variations in lighting or in exposure lead to perceptible brightness fluctuations, or flicker.
Decimal Counter. The color spill of the background photographed with the subject is automatically adjusted to match the composite image, and variations and shadows due to uneven lighting can be cleanly removed. Rendering is as natural as it can be for curved glass surfaces like wine glasses and transparent liquids.
It allows users to add a stereoscopic 3D effect to text subtitles created on their stereoscopic 3D video. Parallax can be adjusted, and operation is easy. Not only text but also any 2D graphics can be stereoscopic 3D video.
ISP 3D Preview, included in the product, allows users to quickly check how the effect would be seen. It allows users to remove false color, which is a destiny of videos shot by DSLR cameras equipped a large sensor.
Even though there are many reasons to produce false colors, the answer is here. By applying this plug-in, any false colors get corrected to true color, even night scenes.
It allows users to add an HDR effect in videos by applying this plug-in. Or expand their creativity by adjusting parameters only three to get a taste of results from supernatural to superartificial. Levels and Curves. Film Transitions. Elements 3 Ultimate. NewBlue Elements 3 Ultimate includes over presets in 21 video effects that simplify multi-step compositing tasks.
Easily generate split screens and drop shadows. Add a viewfinder overlay and key green screen footage inside your editing application. Essentials 3 Ultimate. NewBlue Essentials 3 Ultimate includes over presets in 24 workflow-enhancing video effects that stabilize shaky footage, remove flashes, and sharpen details in an essential go-to toolkit. Designed to address everyday post-production needs such as color correction or stabilization, you find life-saving tools like Noise Reducer, Lens Corrector, Stabilizer and Flash Remover, or image enhancers such as Skin Touch Up, Detail Enhancer and more.
NewBlue Filters 3 Ultimate presents over presets in 22 video effects to instantly enhance video through an array of distinctive looks like Fish Eye and Day for Night, and color enhancers such as Colorize and Selective Tint. You can do these without sacrificing efficiency. Stylizers 3 Ultimate. NewBlue Stylizers 3 Ultimate features deliver colorful and imaginative art, paint, and light effects in over presets in 23 imaginative video plug-ins.
Discover rich painting styles with Cartoonr, Air Brush, and Watercolor. Use light-oriented effects, such as Neon Lights to Glow Pro for stunning accents and atmosphere. And explore the boundaries with surrealistic filters like Metallic, Impressionist, and Paper Collage. From impressionist styles to energetic blurs and flickers, you always find the perfect look with NewBlue Stylizers 3 Ultimate.
Transitions 3 Ultimate. NewBlue Transitions 3 Ultimate features over presets in 37 plug-ins that provide cutting edge video transitions of 3D, light, color, and motion to deliver stunning scene-to-scene cuts.
From Cartoonr Plus to Color Wash, Neon Lights to Metallic, Shake to Shredders and much more, you can engage your audience with this comprehensive collection of unique, stylized video transitions for every mood or circumstance. Create colorfully retro and metallic images with Duochrome, or simulate a drawing at the end of one scene that morphs into the next with Colored Pencil.
Whatever you choose, count engaging your audience with this comprehensive collection of unique, stylized video transitions for every mood or circumstance.
NewBlue TotalFX delivers over presets in plug-ins in the most sweeping collection of titling, transitions, and video effects available. This premium, all-encompassing suite of professional tools tackles practically every editing task hands-down.
DissolveMaster is a great enhancement even if you are a "cuts and dissolves" editor, providing subtle ways to lead your audience's eye within a scene using the unobtrusive, clean aesthetic of the dissolve transition.
SpiceMaster also can organically animate any effect or key in Premiere, using the power of all your other effects built in or third party. You also can organically animate titles, picture-in-picture effects, backgrounds, and graphics.
SpiceMaster gives you complete creative control over all effect parameters, and thousands of instantly useful presets. Subtle motion acceleration and transparency changes in all the transitions provide an amazingly natural look.
These 11 affordable effects plug-ins provide hundreds of fresh, aesthetic video effects for Premiere users. CreativEase includes color, blur, depth, grain, and time-based effects -- all customizable.
CreativEase also can quickly and easily solve everyday editing problems, such as selective softening to remove facial blemishes; creating beautiful dreamy looks; generating color-accurate cartoon animation directly from video; producing glossy 3D titles; adding subtle film looks and film grains; cropping frame edge noise without image distortion; and more. FilmTouch 2 Pro. A wide range of controls can fine-tune color subtleties -- or build a freshly evocative look from scratch.
A large, visual Effects Browser enables you to easily compare and choose presets interactively. Blur-Sharpen Tools. Includes many customizable controls, powerful randomization features, and easily-adjustable masking to place the blur exactly where desired. Smart Blur Pro's blur effects retain scene details; likewise Smart Sharpen Pro sharpening minimizes artifacts.
Both include unique masking controls to easily apply the effect only where desired. All feature a large visual Effects Browser. Adorage is the ultimate special effects library, with more than 17, effects in 13 effects volumes, offering endless possibilities with the shortest learning curve. Simply select an effect and Adorage does the rest. Windows only. Mercalli V2 Pro.
This is available on both Windows and macOS. VitaScene V2. Denoiser removes unwanted noise grain and artifacts from your footage while leaving the details intact for great-looking results, regardless of shooting or lighting conditions.
Use smart default settings that give speedy smoothing, or dial in advanced options that treat more difficult clips. Knoll Light Factory. Create high-fidelity simulations of light effects called flares, which simulate reflections from a bright light source as seen through a camera's lens. With Knoll Light Factory 3, you get new features like realistic flare elements, time-saving animation behaviors, a redesigned interface, and over beautifully designed presets. Magic Bullet Looks.
Magic Bullet Looks brings professional color finishing to any project, fast. Pro presets and camera-inspired tools make it easy to get the look you want. Magic Bullet Mojo. Mojo gives you this modern Hollywood look in seconds, with easy customizable controls to suit any footage. Magic Bullet Colorista II. Colorista II brings the power of high-end color systems to your desktop. For the first time, you can perform professional color grading in your favorite editing applications and move between them with consistent, quality results.
Use the 3-Way Wheels for easy adjustment of balance and luminance, a powerful new Keyer for precision editing, and Power Masks to isolate an area for perfect finishing. Cosmo is your secret weapon for perfect HD closeups, glamor shots, and age reduction in onscreen talent.
Make a year-old model, a something actress, and a plus executive look equally terrific — and even better than she had imagined possible — with this quick, professional cosmetic cleanup tool for your video footage. Cosmo smooths skin tones, softens problem areas, and fixes blemishes with simple beauty sliders powered by our Colorista II technology.
Start with ordinary interlaced video and apply Magic Bullet Frames' sophisticated algorithms. You instantly get the smooth, professional, deinterlaced look of 24p film. Choose between motion-adaptive and field-blended approaches for high-quality footage at high speeds, right in your editor's timeline. Magic Bullet Instant 4K. Choose from a list of preset resolutions to easily integrate HD video into your next 4K production. Magic Bullet Quick Looks. Quick Looks is a light version of our full Looks tool with the same speed and quality at a lower price.
You can define the style of your video or film by choosing from plus look presets to help set the mood for everything from a wedding to the next Sundance original. Magic Bullet LUT Buddy was designed for the professional colorist and bridges the gap from desktop applications to high-end systems and hardware boxes. Magic Bullet Colorista Free. Free product. Set your colors free.
Magic Bullet Colorista Free is a simplified, elegant color corrector that anyone can share and use. You get exactly what you need with basic controls designed by experienced colorists, like the 3-Way Wheels from our popular Colorista II and numeric sliders for precise numerical accuracy.
Red Giant Presto is a time-saving tool that quickly turns a live presentation event into a high-quality video. Presto imports a timeline with footage of the presenter into your editing application and matches it to the original presentation slides.
Drag to the right until the opaque area reaches a satisfactory level. Removes residual green or blue screen color from the edges of the opaque areas of a clip.
Choose None to disable defringing. Choose Green or Blue to remove a residual edge from green-screen or blue-screen footage, respectively. Specifies the amount of anti-aliasing softening that Premiere Pro applies to the boundary between transparent and opaque regions. Choose None to produce sharp edges, with no anti-aliasing. This option is useful when you want to preserve sharp lines, such as those in titles.
Choose Low or High to produce different amounts of smoothing. Black represents transparent areas, white represents opaque areas, and gray represents partially transparent areas. The Remove Matte effect removes color fringes from clips that are premultiplied with a color. It is useful when combining alpha channels with fill textures from separate files. If you import footage with a premultiplied alpha channel, or if you create alpha channels with After Effects, you may need to remove halos from an image.
Halos are caused by a large contrast between the image's color and the background, or matte, color. Removing or changing the color of the matte can remove the halos. Use Background Color to specify the new background color when you want to change the color of a matte. A new keyframe appears in the Effect Controls timeline when you move the handles in the Program Monitor or change the settings in the Effect Controls panel.
Insert the still image into another sequence, and superimpose the sequence containing the still image over the track containing the background clip. If you need to add a new track to the sequence, drag the track matte clip to the empty area above the highest video track in a Timeline panel.
A new track is created automatically. To retain the original colors in the superimposed clip, use a grayscale image for the matte. Any color in the matte removes the same level of color from the superimposed clip. Use the Title panel to create text or shapes grayscale only , save the title, and then import the file as your matte.
The Track Matte Key effect creates transparent areas in a clip that correspond to the luminance levels of another clip. Transparent areas reveal the image produced by clips in lower tracks. You can use the Track Matte Key effect to blur and obscure faces, license plate numbers, or other identifying features.
Television programs use this effect to protect the identities of their subjects. The Basic 3D effect manipulates a clip in 3D space. You can rotate an image around horizontal and vertical axes and move it toward or away from you. With Basic 3D, you can also create a specular highlight to give the appearance of light reflecting off a rotated surface.
The light source for the specular highlight is always above, behind, and to the left of the viewer. Because the light comes from above, the image must be tilted backward to see this reflection. Specular highlights can enhance the realism of the 3D appearance. The Drop Shadow effect adds a shadow that appears behind the clip. The Alpha Glow effect adds color around the edges of a masked alpha channel.
You can have a single color either fade out or change to a second color as it moves away from the edge. The Brush Strokes effect applies a rough painted look to an image. You can also use this effect to achieve a pointillist style by setting the length of the brush strokes to 0 and increasing the stroke density. Although you specify the direction of strokes, they are scattered randomly by a small amount to give a more natural result.
The Emboss effect sharpens the edges of objects in the image and suppresses colors. The effect also highlights the edges from a specified angle. The Find Edges effect identifies the areas of the image that have significant transitions and emphasizes the edges. Edges can appear as dark lines against a white background or colored lines against a black background.
If the Find Edges effect is applied, images often look like sketches or photographic negatives of the original. The Mosaic effect fills a clip with solid-color rectangles, pixelating the original image.
This effect is useful for simulating low-resolution displays and for obscuring faces. You can also animate it for a transition. The Posterize effect lets you specify the number of tonal levels or brightness values for each channel in an image.
The Posterize effect then maps pixels to the closest matching level. For example, choosing two tonal levels in an RGB image gives you two tones for red, two tones for green, and two tones for blue. Values range from 2 to The Replicate effect divides the screen into tiles and displays the whole image in each tile. Set the number of tiles per column and row by dragging the slider. It gives rasterized text or graphics a naturally rough look, like that of eroded metal or typewriter text. The Strobe Light effect performs an arithmetic operation on a clip or makes the clip transparent at periodic or random intervals.
The Echo effect combines frames from different times in a clip. The Echo effect has a variety of uses, from a simple visual echo to streaking and smearing effects. The results of this effect are visible only if the clip contains motion.
By default, any previously applied effects are ignored when you apply the Echo effect. The Posterize Time effect locks a clip to a specific frame rate. Posterize Time is useful on its own as a special effect, but it also has more subtle uses. For example, field video footage can be locked to 24 fps and then field rendered at 60 fields per second to give a filmlike look.
This effect is sometimes called Strobe in hardware devices. Animating the value of the Frame Rate slider can give unpredictable results. For this reason, the only interpolation method allowed for the frame rate is Hold. The Edge Feather effect lets you vignette the video in a clip by creating a soft black border on all four sides. The border width is controlled by entering an Amount value.
The Horizontal Flip effect reverses each frame in a clip from left to right; however, the clip still plays in a forward direction. The Block Dissolve effect makes a clip disappear in random blocks. The width and height of the blocks, in pixels, can be set independently. The Gradient Wipe effect causes pixels in the clip to become transparent based on the luminance values of corresponding pixels in another video track, called the gradient layer.
Dark pixels in the gradient layer cause the corresponding pixels to become transparent at a lower Transition Completion value. For example, a simple grayscale gradient layer that goes from black on the left to white on the right causes the underlying clip to be revealed from left to right as Transition Completion increases. The gradient layer can be a still image or a moving image. The gradient layer must be in the same sequence as the clip to which you apply Gradient Wipe.
You can create gradient layers in many ways, such as using the Ramp effect or creating them in Photoshop or Illustrator. The Cineon Converter effect provides a high degree of control over color conversions of Cineon frames.
To use the Cineon Converter effect, import a Cineon file and add the clip to a sequence. You can then apply the Cineon Converter effect to the clip and precisely adjust the colors while interactively viewing the results in the Program monitor.
Set keyframes to adjust for changes in tone over time—use keyframe interpolation and ease handles to precisely match the most irregular lighting changes, or leave the file in its default state and use the converter. The 10 bits of data available in each Cineon channel for each pixel make it easier to enhance an important range of tones while preserving overall tonal balance.
By carefully specifying the range, you can create a version of the image that faithfully resembles the original. SDR conform is also available in the Effects tab of the Export settings. Additive Dissolve adds the color information from clip B to clip A, and then subtracts the color information of clip A from clip B. Cross dissolve can also work well at the beginning or end of a clip when you want to fade in or out from black.
The cross dissolve transition may work better for this. Dither Dissolve fades clip A to clip B using a dithering algorithm. You can specify any of the following options:. The Film Dissolve transition blends in a more realistic way; basically, dissolves look the way that they should. Legal Notices Online Privacy Policy. Buy now.
User Guide Cancel. Navigate through the different effects documented on this page using:. Adjust effects. Lighting Effects. Blur and Sharpen effects. Camera Blur effect Windows only. Directional Blur effect. The Directional Blur effect gives a clip the illusion of motion. Gaussian Blur effect. Reduce Interlace Flicker. Color pass — The color pass effect will convert an image to greyscale but save a single color.
Want a black and white image with a colored red rose? Color replace — The color replace effect replaces one color with another. After choosing a target color to replace, all of the instances of that color are replaced with the color of your choosing. Gamma correction — This effect is handy for changing the brightness of a clip without dramatically affecting the highlights and shadows.
Alpha adjust — Alpha adjust allows you to adjust the transparency of a clip if you need to do it out of the default fixed effects rendering order. This is great for removing green screens. Luma key — This effect keys out all areas of an image with a specified luminance or brightness. This keying effect is handy for removing white backgrounds from logos or removing a dark section in a video. Track matte key — Using the track matte key will reveal a background clip through a foreground clip, based on a third file that dictates the transparent areas in the foreground clip.
This effect requires you to have two clips and a matte, each placed on their own track in the timeline. Ultra key — Ultra key is a more powerful and adjustable general purpose keyer, such as the color key effect. It uses more resources than the color key effect, so it will sometimes make sense to use the color key for cleanup and the Ultra Key for the main keying work.
Basic 3D — The basic 3D effect allows you to move and adjust your clips in 3D space. You can rotate clips and dolly closer or further away, all while maintaining proper perspective in 3D space. Brush Strokes — This effect simulates the look of rough paintbrush strokes. Color emboss — The color emboss effect sharpens the edges of objects in an image from a specific angle to give the appearance of depth. Find edges — The find edges effect seeks out dramatic areas of an image and emphasizes them.
Mosaic — This effect creates a mosaic of single color rectangles, resulting in a pixelated version of your image. There are options to change and animate the number of horizontal and vertical rectangles blocks in the image, which allows for some pretty neat creative options. Posterize — Using the posterize effect allows you to choose the number of tonal levels or brightness values for the channels in an image, between 2 and Using a standard RGB image means you can have as few as two tones for red, two tones for green and two tones for blue or as many as tones for each.
At , your image will look normal. Replicate — Fans of s music videos will appreciate this effect. The replicate effect divides the screen into tiles, with your entire image showing in each tile.
Roughen edges — Adobe Premiere Pro editors use this effect to rough up edges of a clip, creating rough effects on videos. Strobe light — The strobe light effect makes an image flicker or become transparent. Now free download and install VideoProc Converter and deinterlace your footage without losing quality! Step 1. Choose Video on the homepage and drag interlaced video s from your computer to this software.
Step 2. Choose an output format in the Video option at the bottom. For more optional formats and codecs, click Target Format. Step 3. Tick the box before Deinterlacing on the right side. Then click RUN and VideoProc Converter will start to remove interlaced lines in your video and export the final video on your computer. As a free media player, VLC can remove interlaced lines while playing a video.
Even you are watching a streaming video with it, the deinterlacing feature in VLC is still available. But note that VLC only helps you play videos without interlaced lines and cannot export the deinterlaced video to your local storage. Here's how to deinterlace video in VLC.
Expand the Video option and click Deinterlace. If you see nothing improved, you can change the mode in the option under Deinterlace. Pro Tips: For power users who want to stream videos without interlaced lines, VLC features the deinterlace filter in the Advanced Preferences settings to remove lines from streaming videos as well.
HandBrake is an open source video transcoder with many customizable settings. When it comes to deinterlacing, tech-savvy users can customize the deinterlace parameters after switching Preset to Custom. Compared with other deinterlacers, the main drawback of HandBrake is that you cannot preview the video before it finishes exporting.
If you still want a try, check how to deinterlace video in HandBrake with the following steps.
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